(c) Jenny L. Graham-Hougah 2021. All rights reserved.

WORK

Meandering through the recess of memories, full of adventure, wonder, and inconsistencies.
Two gendered stereotypes- the cloistered woman and the femme fatale, are represented in this painting, using images taken exclusively from the Financial Times,
Self portrait completed during April 2020 during the stay at home orders due to the emergence of covid-19.
Portrait of a time and a place, when everything is beauty but distant.
Light streams over Dadda as a child crawls over him. Still sleepin'.
Marital bliss is challenged when two wills collide
During the stay at home orders during the beginning months of covid-19, one of the benefits were constant contact.
In preparing for a Weir Farm residency, I took to documenting my studio.
A turbulent few years, I kept perspective listing to the impeachment hearing while painting my kitchen window.
Childhood is full of openness and wonder- what do we see in our viewfinders?
Inspired from a quote in the novel Suttree, a photograph of my son next to my great grandmother.
A running joke in my family was that as a kid brother had the same smile as his cabbage patch doll.
Corner of a photo in the corner of a plastic sheet photo album, my dad sits, staring one distant Christmas morning.
In response to a mother's inability to prepare her son for the coming climate devastation. (Still hopeful)
My wonderful grandma holding her infant great grandchild surrounded by fake flowers in the kitchen of her adult life.
I superimposed my grandparents- along with NPS sweatshirt, in front of Yosemite. Because I love National Parks.
original oil still-life painting by Jenny L. Graham-Hougah 2019
original oil still-life painting by Jenny L. Graham-Hougah 2019
original acrylic still-life painting by Jenny L. Graham-Hougah 2018
original acrylic still-life painting by Jenny L. Graham-Hougah 2019
Using Format